Description
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Farrow & Ball Name and Product Number | Farrow & Ball Paint Description |
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Green Smoke No.47 – A dark and smoky green | A smoky green blue, this colour was popular in interiors during the late 19th century. It has an irresistibly inviting deepness and weathered familiarity when used in exterior situations, while evoking calm and serenity when used inside. |
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Rectory Red No. 217 – A rich red | This rich clean red is named after the charming village houses built over the years for the clergy. Rectory Red is blackened and aged version of Blazer and feels much more sophisticated. It is a warning colour which will intensify when used in a small space. |
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Cook’s Blue No.237 – A vibrant blue | Cook’s Blue was inspired by the rich and poignant finish in the cook’s closet at Calke Abbey where the walls had been untouched for many decade. A bright and deeply pigmented colour is perfect for use both in kitchens and exterior and exterior eating areas, as this vibrant tone is said to deter flies. |
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Pavilion Gray No.242 – A cool mid grey | This classic mid grey was originally created for a bespoke pavilion, but is also reminiscent of an elegant 18th century Swedish colour. One of the Architectural Neutrals, the subtle blue undertones of Pavilion Gray add a contemporary touch and sense of spaciousness. |
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Pitch Black No.256 – A true black | Pitch Black is as pure a black as you can get and is strong and uncomplicated in all lights. Named after the dark sticky residue of coal tar often used in roofing, this true black has an unsurpassable depth and almost velvet quality. As with All White at the other end of our colour palette, it is easy to understand and indispensable for ironwork. |
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Charlotte’s Locks No.268 – A deep and playful orange | Charlotte’s Locks takes its inspiration from the flame red hair of our Head of Creative and brings a playful late late 1970s look. The deep and dramatic orange is particularly spectacular when used in small areas with a sharp contrast either in All White or Black Blue. |
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Farrow & Ball Name and Product Number | Farrow & Ball Paint Description |
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Plummett No 272 – A lighter lead | This strong architectural grey is named after the lead often used by fishermen to weight their lines. Plummett intensifies in colour in smaller spaces and has a strikingly modern feel which is conducive to minimal living. Plummett is one of the most hard edged and industrial feeling greys. |
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All White No.2005 – A totally pure white | All white is exactly what it says! Unusually it contains no other pigment except for white, creating the softest most sympathetic colour without the colder blue undertones of a brilliant white. |
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Dayroom Yellow No. 233 – A refreshing pale yellow | A typical Regency colour, this charmingly simple pale yellow takes it name from the rooms which were filled with light and enjoyed during the day. Perhaps the most refreshing in feel of all Farrow & Ball colours, Dayroom Yellow is perfect for use in rooms of a sunny disposition, flooding the space with light and colour. |
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Dead Salmon No.28 – An aged salmon pink | A subtle shade whose name refers to the flat or ‘dead’ finish of an aged pink painted at Kedleston Hall in 1805, Dead Salmon has a magical quality to it as everyone sees it differently. Be is a strong mushroom steeped in history, or a warming buff neutral, this deep salmon creates the most subtle and serene of environment. |
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Hague Blue No.30 – A deep bark blue | This strong blue takes its name from the fantastically coloured woodwork much used by the Dutch, and still works wonderfully. The green undertones of this timeless, deep and dramatic blue means it sits as happily outside as it does in small dark rooms. |
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Railings No 31 – A soft black with blue undertones | More blue than black, Railings is a softer alternative to black which is particularly suited to the ironwork it takes its name from. The bluer undertones of this dark hue transform rooms into dramatic and enveloping interior spaces. |
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